Log in

Previous Entry | Next Entry

Rather than (merely) taunting all of you with my having seen Hamlet on Broadway last night starring the lovely and talented Jude Law in the title role, with Kevin R. McNally ("Mr. Gibbs", first mate to Johnny Depp's "Captain Jack Sparrow") as Claudius, I thought I'd also generalize a bit about the benefits of seeing live theatre. My celebration (I shall try to refrain from out-and-out crowing) over my attendance at the play last night will be mixed in with some general points. But first, a few facts about my trip:

1. I purchased the tickets over a month ago. At the time, I was seriously hoping that Jude Law would be healthy and in attendance at the performance, which he was (not positive about healthy, but he looked mighty fine and turned in an excellent performance, so I shall assume that he was okay). It did not occur to me to wish that my girls and I would all be totally healthy. I remain itchy, but worse yet, poor S came down with the flu on Tuesday. Thank heavens for those -Quil products, which got her into okay enough shape to keep us company after all.

2. At the time I purchased the tickets, I believed we'd be in the third row from the stage on the outside aisle to the right (as you face the stage, aka "stage left" for you theatre folk). Turns out I was misinformed, and we were, in fact, in the SECOND row from the stage to the far right. S, who was on the outside aisle seat, couldn't see people if they were upstage stage left, but nobody really delivered any lines while there, so she only missed seeing the occasional courtier or whatever who was lingering in a "big cast" scene. The vast majority of the action was center stage. None of the main players were ever on stage where S couldn't see them.

3. Our seats were so close that we could see lots of things. Like the tears dropping from Ophelia's face onto the stage after Polonius's death. Or the sweat that spattered everywhere when Hamlet smacked himself in the head (hard enough to snap his head back) at one point. Or the spittle that went flying from, well, almost everybody's mouths on occasion depending on what they were saying - F, P, K, and T were the grossest (and I kinda mean that) offenders. Most prodigious spittle-producer was Peter Eyre, Hamlet's ghost father/the player king (a dual role), although "most flying spittle total" undoubtedly goes to Jude Law. Then again, he has the vast majority of lines in the play, so that's to be expected. Thankfully, he delivered all of his monologues from center stage (including a few so far downstage that I'm pretty sure the folks in the first two rows got hit now and again). Not sure if this particular point counts as gloating or complaining. Believe me when I say that I totally meant to gloat.

4. Jude Law was AMAZING as Hamlet. He played the role in a very physical manner - lots of energy, lots of struggle (with other characters) and lots of tightly wound movements throughout - even in repose, he didn't seem relaxed. It was fascinating to watch. He also cried actual tears, screamed so loud that the cords in his neck were probably visible from the balcony, and more. And he completely hoisted Polonius up to "lug the guts into the neighbor room", with only a brief assist from Ron Cook (who played both Polonius and the more chatty of the grave diggers), who planted his heels only momentarily as Law pulled him from flat-on-the-ground to lifted-up-from-under-the-arms. And then Law carried/dragged him off the stage in a hybrid sort of move. Im.press.ive.

The range of emotions displayed was excellent. He was decidedly a more serious Hamlet than some I've seen, but by no means dour. And some of his comical bits - his humping of Polonius whilst calling him a "fishmonger" or his mimicking of an ape come to mind - were flat-out funny. The tortured nature of his soul and his willingness (and/or desire) to embrace death came across clearly. It was a brilliant turn.

5. Plays are, of course, rely on an ensemble, in the same way that an orchestra does. One truly excellent star is not enough to elevate a mediocre cast. This particular cast did not have mediocre components. Heck, even Rosencrantz and Guildenstern were great.

Kevin McNally was wonderful as Claudius - he seemed more affable and less menacing at first than did some of the screen performances I've seen (such as Derek Jacobi's, for instance), yet his manipulative nature fueled by his own selfish motives unfurled quite naturally over the course of the play. Horatio, played by Matt Ryan, was (a) dead sexy, especially in his black leather jacket and black leather boots, (b) the perfect foil for Hamlet and (c) completely foxy. Two of those points may overlap. Did I mention that he was beautiful and talented? Then my work is done.

Also dead sexy and talented? Gwilym Lee, who played Laertes, on whom M is now crushing. Hard. Not just for his beauty and talent, but also because she likes his first name so well. Gwilym, not Laertes, in case you were wondering. Also terrific? The aforementioned Ron Cook, who played Polonius (and got HUGE laughs for his advice to Laertes and his speech to Gertrude and Claudius about being brief and Hamlet being mad - don't know what I'm talking about? You can always read my summary of the play or my essay on why Polonius is a bad guy from Brush Up Your Shakespeare Month). Also smoking hot? (Sensing a theme here yet? Sorry. But truly, it was an awfully pretty cast.) Alan Turkington, who played three different roles: Francisco (a Danish guard), one of the players, and Fortinbras (of Norway). And I really thought that Henry Pettigrew, who played Marcellus (a Danish guard), a player, and the second gravedigger, was both cute and extremely talented.

Speaking of actors, Geraldine James was eventually great as Gertrude. It was hard to get a read on her during the first two acts, but her character decidedly came alive once the players did their thing and Hamlet came to her bedroom and killed Polonius and stuff. And Gugu Mbatha-Raw did a good, but not great, job as Ophelia. I have, I confess, been spoiled by some on-screen performances, including Kate Winslet's marvelous turn in Branagh's Hamlet and Rachel McAdams's performance (brief though it was) as Ophelia in the Canadian TV series Slings and Arrows. Both were so exemplary in their ways that I set the bar pretty high for Ophelia, which is undoubtedly unfair to Ms Mbatha-Raw, who was beautiful, but seemed undecided as to whether she was defiant or compliant as relates to Polonius, and didn't seem truly into Hamlet, although his grave-side performance and tears-in-eyes delivery of the lines about her (below) gave me to understand more clearly than any screen performance I've seen that Hamlet really truly did love her:

I loved Ophelia: forty thousand brothers
Could not, with all their quantity of love,
Make up my sum. What wilt thou do for her?

. . .

'Swounds, show me what thou'lt do:
Woo't weep? woo't fight? woo't fast? woo't tear thyself?
Woo't drink up eisel? eat a crocodile?
I'll do't. Dost thou come here to whine?
To outface me with leaping in her grave?
Be buried quick with her, and so will I:
And, if thou prate of mountains, let them throw
Millions of acres on us, till our ground,
Singeing his pate against the burning zone,
Make Ossa like a wart! Nay, an thou'lt mouth,
I'll rant as well as thou.

Hamlet, Act V, sc. 1.

6. My girls have both read a bit of Shakespeare. For school, S read Romeo and Juliet in 9th grade, and M read A Midsummer Night's Dream in 8th grade (she'll get to R&J later this school year). M also read Twelfth Night and Much Ado About Nothing because she wanted to (yes, she is in some respects her mother's daughter, and being an avid reader is one of them). Neither of them had read or seen Hamlet before, although M saw the last 1/2 hour or so of the Branagh film when I watched it in May or June. Still, seeing the play live, they understood most - if not all - of what was going on (there was the occasional bit that sailed over their heads, but they even understood why Polonius's going on about "brevity is the soul of wit" was funny, so they did pretty well). That we were seated in the second row probably helped them to pay attention - I'm sure they'd have wandered a bit more if we'd been in, say, the middle of the balcony, which was significantly removed from the stage (although still with a good view, from what I could work out). Where we were, however, there was no way for them to look at anything other than the stage, because they'd have had to turn around in their seats to do it. Both of the girls (ages 16-1/2 and nearly 15) LOVED it. Wholeheartedly. Which was cool, and made me happy. Especially since I became a bit concerned as the play opened with the guards - and, in a wee bit, Horatio - yakking about the state of the State of Denmark in Elizabethan English that perhaps the entire notion of bringing them along had been a mistake. But lo, it was a triumph.

7. The take-home messages are, I believe, that when seen live, you can really judge how the characters are interacting in a way that you cannot always do in a movie version. And it's actually easier to find your way inside the language of the play live than it is on-screen. And finally, it's truly easier to follow the play if you've done a wee bit of homework ahead of time, and have either (a) read the play itself, (b)seen another version of the play, or (c) at least read a summary of the play. Like, say, the one I wrote.

Kiva - loans that change lives

Site Meter


( 25 comments — Leave a comment )
Nov. 7th, 2009 05:29 am (UTC)
Wow. Thank you for this recap! Wow.
Nov. 7th, 2009 05:35 am (UTC)
It was a fabulous production, truly!
Nov. 7th, 2009 05:41 am (UTC)
Sounds like it. :)
Nov. 7th, 2009 06:53 am (UTC)
Great review! I saw clips from Hamlet on Charlie Rose, and Jude Law was magnetic.
Nov. 7th, 2009 03:32 pm (UTC)
Indeed he was - and the rest of the cast was pretty marvy, too!
Nov. 7th, 2009 12:41 pm (UTC)
It all sounds wonderful (well except the itching and 'quil products.) But otherwise, wow.
Nov. 7th, 2009 03:33 pm (UTC)
Re: oooohhhh!
I remain thrilled by the performance, and especially pleased that the girls liked it so very much!
Nov. 7th, 2009 03:42 pm (UTC)

Sounds just perfect.

Thanks for telling us all about it.
Nov. 7th, 2009 04:15 pm (UTC)
It was a great night. I forgot to mention the greyness of everything, didn't I? Very little black or white (Horatio's jacket and boots were truly black, Ophelia's burial gown was truly white - everything else was pretty much shades of grey, apart from the brick wall "outside" the stage we saw). I liked that choice quite a bit - as well as the choice to have the ghost appear barefoot (and antic Hamlet appeared barefoot, as did crazy Ophelia).
Nov. 7th, 2009 04:21 pm (UTC)
How I love it when you talk Shakespeare! You're an absolutely adorable, charming erudite.

Having said that, I do appreciate your mentioning all the hotties on stage *then my work is done*, and the graphic descriptions of spit and spittle. Hee!

So happy all of you were able to go, and that Jude Law was well and in good form. Lo,it was a triumph! I shall use that in ordinary conversation today in your honor :).
Nov. 7th, 2009 04:29 pm (UTC)
Please let me know if/how you manage to use "Lo, it was a triumph!" in everyday conversation.

And I am preening over being termed "an absolutely adorable, charming erudite", btw.
Nov. 7th, 2009 05:36 pm (UTC)
Sounds like you had a great time :)
Nov. 7th, 2009 07:04 pm (UTC)
It was fantabulous!
Nov. 7th, 2009 05:57 pm (UTC)
I'm so glad you and your daughters found it so rewarding. Who played Rosencrantz and Guildenstern?

*makes note to self to go to Stratford this summer*
Nov. 7th, 2009 07:06 pm (UTC)
John MacMillan was Rosencrantz and Harry Attwell was Guildenstern. Not that it matters, since "Rosencrantz and Guildenstern are dead."
Nov. 7th, 2009 06:11 pm (UTC)
Since the chances of my seeing this are none to none, I appreciate your detailed account! Thanks, Kelly!
Nov. 7th, 2009 07:06 pm (UTC)
You are most welcome.
Nov. 8th, 2009 02:30 am (UTC)
Beefcake on Broadway, with flying bodily fluids! Who sez Shakespeare is highbrow?
Nov. 8th, 2009 03:18 pm (UTC)
Certainly not Shakespeare - lots of the puns and innuendo fly right over the heads of modern audiences: Whereas Polonius got huge laughs for his "hurry to catch the boat, but first I have a few words for you . . .(insert lengthy list here)" to Laertes and his bit about brevity being the soul of wit (after being long-winded), Hamlet did NOT get huge laughs for his mention of putting his head in Ophelia's lap and the remainder of that exchange, all of which is exceedingly bawdy:


Lady, shall I lie in your lap?

Lying down at OPHELIA's feet


No, my lord.


I mean, my head upon your lap?


Ay, my lord.


Do you think I meant country matters?


I think nothing, my lord.


That's a fair thought to lie between maids' legs.


What is, my lord?




You are merry, my lord.


Who, I?


Ay, my lord.
Nov. 8th, 2009 02:27 pm (UTC)
Thank you! I'll take a Kelly-eye-witness report over a stuffy review any day. My own two young theater goers have seen Romeo and Juliet, As You Like It, Othello, and Macbeth, and I heard not a whine of complaint. Live performance is just plain cool and I think kids get that.

P.S. If you ever see a production of Macbeth wherein they wear kilts, it's really NOT a good idea to sit too close.
Nov. 8th, 2009 03:12 pm (UTC)
HA! I'm sure you're right. Nobody needs to see their dangly bits.
Nov. 8th, 2009 11:52 pm (UTC)
Yay! The production sounds amazing. And honestly, I think the importance of live theatre can't be overestimated. There's a sort of alchemy between actors & audience that doesn't leap off the page of plays in the same way. We just saw a wonderful production of Angels in America yesterday that impressed me so much more than simply reading it.
Nov. 9th, 2009 02:08 am (UTC)
Ooh - I bet that was marvelous. I've only seen part of the (award-winning) HBO adaptation, which is ridiculously long, but very good - at least the bits I've seen!
Nov. 10th, 2009 04:41 am (UTC)
There is nothing, nothing, nothing like seeing Shakespeare performed LIVE! What a wonderful recap of this production. We saw Hamlet in Boulder, CO this summer and it was tremendous. I wish kids in high school could SEE a play before they study it. It would make all the difference.
Nov. 10th, 2009 05:30 am (UTC)
You are very right about that. The movie versions aren't nearly as interactive as being at a live play, a fact of which I was reminded as I sat there with my girlies.
( 25 comments — Leave a comment )

Latest Month

May 2017


Powered by LiveJournal.com