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As I noted in my blog post on Friday, last week saw a box of books from Wordsong and the other Boyds Mills Press imprints landing on my door step, much to my suprised glee.

Inside the box, I found several titles including today's selection, The Seldom-Ever-Shady Glades: Poems and Quilts by Sue Van Wassenhove. If you've been reading my blog recently, you'll know that I've been doing some quilting myself, but the quilts I'm working on are nothing like the art quilts pictured inside the pages of this book.

Van Wassenhove has created a series of quilts to serve as illustrations for her book, The Seldom-Ever-Shady Glades, which contains 17 poems and, as best as I can figure, 19 quilts. The Miami Herald agrees with my count, so that's what we'll go with (and they have a great article/interview relating to the book at the link I've just given you). The title comes from the first poem in the book, which consists of 11 stanzas written in rhymed (or near-rhymed) couplets, reproduced on two separate two-page spreads. The first spread features an alligator, an anhinga, a frigate bird, and a spoonbill appliquéd onto a striped quilt with a four-patch border turned on point; the second includes elder turtles, a cormorant, a great blue heron, and a skimmer, again done in appliqué on a quilt that combines patchwork cloudy skies and blue stripes to represent the water. You can see some of the quilts at the Miami Herald website slideshow.

What's great about this book:



1. The quilts. They are really gorgeous, and work exceedingly well as illustrations. That had to be difficult for Van Wassenhove to manage, because she needed to include images and patterns in order for the quilts to work as quilts, but she also had to leave space for the placement of text. And she managed it magnificently, with excellent fabric, texture and color choices and with enough graphic appeal to hold a reader's attention.

2. The poems. The poems are as diverse as their subject matter. The rhymed couplets of the first poem give way to a slightly more sophisticated rhyme scheme in the second poem, "Change of Seasons," which uses a lot of internal rhyme and assonance to move it along. The fourth poem, "Standoff", is accompanied by a quilt depicting a gape-mouthed gator. The poem itself is a villanelle that uses moderate manipulation in the repeating lines, and succeeds tremendously as a result. "Professor Heron" is a masterpiece of free verse, and is accompanied by a gorgeous appliqué of a great blue heron (which is actually tall and grey) set on a a lush, deep blue patchwork background:

Professor Heron
by Susan Van Wassenhove

Our Professor,
the great blue.
That black, slicked-back hairpiece
and subtle, mottled cravat
hide his bony neck.
A dusty, gray tweed jacket
with rusty academic shoulders and elbows
tops long, lock-kneed legs
and polished wing tips.
But his yellow-eyed stare
and gripped, tight-lipped silence
can outwait
any
squirming indignities
we try to submerge.


From later in the book, here's a short poem about a snakebird, also known as the anhinga. A note explains that the anhinga has no oil glands, but is nevertheless a swimming bird that eats fish. It must spread its wings in the sun to air-dry them. The poem is accompanied by a green and blue patchwork quilt interrupted by blue stripes wher the water lies, with appliquéd anhingas, one with wings wide-stretched. The language of the poem is playful and relies largely on alliteration using "N" and "G" independently and in combination.



Anhinga Flings
by Susan Van Wassenhove

And another anhinga
in the hinterglades
unhinges its wings
after animated angling,
flinging for any hint
of drying sun.


I wasn't fully prepared to love this book as much as I do. A must-have for children's libraries (school or otherwise), and an excellent companion to units on natural habitat (endangered areas, wetlands, and the Everglades in particular) and on wildlife (including wading and fishing birds, alligators, manatees, rays, Portugese man-of-war and more). The variety of poetic styles and the inventive use of imagery and language keep this fresh; the focus on animals of the Everglades means that a number of species not found in some of my poetry books involving birds are represented here. The use of individual art quilts as illustration adds another interesting layer of detail to the books, and Van Wassenhove's skill in depicting animals using fabric is truly remarkable.

So, to sum up: I highly recommend this one to folks interested in natural sciences and birding, and to folks interested in poetry and/or quilts. And that's a lot of folks, I think.




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Comments

( 20 comments — Leave a comment )
eshakespear
Mar. 4th, 2008 09:09 pm (UTC)
Wow!
Those are beautiful quilts. I love to quilt to.....but I'm far from that good.

I'm glad you shared that book.
kellyrfineman
Mar. 4th, 2008 11:14 pm (UTC)
Re: Wow!
I am not able to appliqué yet - the mere thought of it terrifies me. So there's no way I'd be able to pull those off. Plus which, she designed all of them herself. Amazing!
jamarattigan
Mar. 4th, 2008 09:20 pm (UTC)
Gorgeous quilts and poems! Wow! Thanks for featuring the book.
kellyrfineman
Mar. 4th, 2008 11:14 pm (UTC)
You are most welcome.
robinellen
Mar. 4th, 2008 09:29 pm (UTC)
Wow, I think my mom would love this book...thanks for the recommendatin :) (I might hve to study it awhile before giving it to her, heh.)
kellyrfineman
Mar. 4th, 2008 11:15 pm (UTC)
I hope you both enjoy it!
ajboll
Mar. 4th, 2008 10:05 pm (UTC)
Box o' books
How do you get to be in the position to have a box of books show up on your doorstep? Is this for the CYBILS? Thanks for the review.
kellyrfineman
Mar. 4th, 2008 11:13 pm (UTC)
Re: Box o' books
It is not, in fact, for the CYBILS but is, I believe, related to me having been a judge and having posted so many poetry book reviews chez moi. But I'm not positive why I got so lucky.
(Deleted comment)
kellyrfineman
Mar. 5th, 2008 05:27 pm (UTC)
The factoid in the book was pretty cool, and the birds look awesome. Odd that they don't have oil glands, though. I wonder why?
walkwrite
Mar. 5th, 2008 04:12 pm (UTC)
Those quilts are insane! SO gorgeous!
kellyrfineman
Mar. 5th, 2008 05:28 pm (UTC)
I agree. They're really remarkable. The thought and planning that went into the project is really inspiring.
liz_scanlon
Mar. 5th, 2008 05:11 pm (UTC)
Those quilts are crazy good (says she who cannot sew a button on)...
As always, you're costing me money, Kelly. Costing me money...
kellyrfineman
Mar. 5th, 2008 05:30 pm (UTC)
Um, sorry? Except that I know you're gonna love this book. So I'm not all that sorry. I've seen illustrations before where someone made art that looked like a quilt, but Van Wassenhove has made quilts that are completely and totally art. And the poems are mostly great (there were two that I was only "meh" about, by the way, but I thought that the others more than compensated for that. And really, one has to be Billy Collins or similar for me to love every poem in a collection.)
(Anonymous)
Mar. 5th, 2008 06:28 pm (UTC)
Ooo! Ooo! Perfect that I read this (esp. since I'm perpetually behind on blog-reading any more), 'cause I got a copy recently. Haven't started it yet, but I so totally and entirely trust your poetry reviews that now I wanna crack it open right away, as in add it to the top of my pile.

jules, 7-Imp
kellyrfineman
Mar. 5th, 2008 06:41 pm (UTC)
Color me flattered! I can't wait to hear what you have to say about it!
saralholmes
Mar. 5th, 2008 11:21 pm (UTC)
I'm a quilt idiot, and even I know these are spectacular. Those anhinga feathers are unbelievably beautiful and detailed. I wonder how long it took her to do these, I really do. And did she think about the poems as she quilted? Or write the poems and then quilt? What if you had a whole, gorgeous 500 hour quilt and the editor cut the poem?
kellyrfineman
Mar. 6th, 2008 11:12 pm (UTC)
I wondered that myself, and I really wondered which came first, and whether they agreed on the page spreads, or whether she just did it on faith, etc. Some of the two-page spreads have two poems, some only one. Where there are two, there are usually multiple animals pictured. I'm guessing that she got the poems approved first, and then sorted them onto quilts, but in the case of the first poem, which has two quilts (four pages), I really wonder if she knew what she was committing to when she incorporated all those animals. It's a great book, and an undertaking of similar ambition as my Jane project, I think, which is to say, completely crazy and time-consuming and absorbing, with a possibility of a really cool product at the end.
saralholmes
Mar. 7th, 2008 01:32 am (UTC)
(Anonymous)
Mar. 6th, 2008 08:57 pm (UTC)
I want that ocean quilt sooo much! I'll be looking for that book.

-MotherReader
kellyrfineman
Mar. 6th, 2008 11:09 pm (UTC)
It is really gorgeous, isn't it?
( 20 comments — Leave a comment )

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